![]() ![]() Both command dials can be pressed inward to act as function buttons or to change the dial's function. There's also a pair of command dials, front and rear, which can have some of those functions assigned to them. It's also around 50g (.11 lbs) lighter than the X-T4.Īs with previous X-T models it features dedicated dials for shutter speed, ISO and exposure compensation. It retains the look of a classic SLR, though. The Fujifilm also has access to a far more comprehensive system of lenses designed with APS-C in mind, which further enhances its credentials for enthusiast photographers.Īlthough it looks a lot like its predecessor, the X-T5's body is slightly smaller, with a slightly more finger-shaped indentation at the top of the hand grip and a more relaxed slope to the viewfinder hump. The X-T5 offers a more analog shooting experience, a larger, higher-res viewfinder and our favorite rear screen arrangement for stills shooting. Its autofocus is also very good in stills mode. Motion correction optionĭespite the lower price, Canon's EOS R7 runs the X-T5 pretty close in spec terms, with a faster burst rate, decent video specs and a sensor only 7MP behind. so we've included it for reference, too.ĩ6MP, 8 shots, in-camera. There are less expensive full-frame options, but the S5 II is one of the lower-priced rivals that provide something of a match for the X-T5's level of stills and video capability.Ĭanon's EOS R7 doesn't feel quite as high-end as the X-T5 but it's one of the few enthusiast-targeted APS-C cameras to be launched in the past few years. In this instance, we've picked the Panasonic S5 II for comparison. This brings a different cost/size/image-quality balance, especially once you factor in the lenses you might use. ![]() There's no motion correction, which limits the types of situations it can be used in.įujifilm is one of the few companies still making high-end APS-C models, with most other brands focusing on full-frame for their photography enthusiast offerings. As with the existing camera, you need to combine the images yourself using Fujifilm's Pixel Shift Combiner desktop software. ![]() The X-T5 offers the 20-shot pixel-shift high-res mode from the X-H2, allowing you to create 160MP composite images. A much smaller buffer and the use of SD cards means it can't shoot such long bursts as the X-H2, but the image quality it delivers is identical. On the photography side, the specs are very similar to the X-H2, with the camera able to shoot 40MP images at up to 15fps using the mechanical shutter. Fujifilm says the camera can shoot 6.2K/30 video for 90 minutes or 4K/60p for 60 minutes at 25☌ (77☏) these numbers drop significantly at higher temperatures, and there's no option to add a fan to compensate. Instead the X-T5 writes everything to a matched pair of UHS-II SD card slots. The X-H2's ProRes modes are also absent, along with any of the X-H2's options that required the use of a CFexpress Type B card. The X-T5 uses twin UHS-II SD card slots, which explains some of the reduction in video spec and significantly shorter duration of burst shooting. Like the X-H2, the X-T5 can capture 4K at up to 60p from the full width of its sensor, but not using all the available pixels. ![]() Similarly, the X-T5's 'HQ' 4K footage is derived from this 6.2K crop, not an 8K readout. So there's no 8K capture and its 6.2K footage is taken from a 1.22x cropped region of the sensor, not the full width as in the X-H2. The X-T5 can also shoot video, but its specifications aren't as ambitious as those of the expressly hybrid X-H2. The X-T5 is a more photography-focused camera than the X-T4, featuring the return of the excellent two-way tilting rear screen mechanism that works well for composing off-axis shots in both the landscape and portrait orientations. Apr 4: Image quality, Video, Autofocus, Conclusion and updated Sample gallery published. ![]()
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